INFO: There’s this song by Ned’s Atomic Dustbin (remember them?) whose title I always liked: “The Old New Un.” I always figured that it meant they’d taken an old idea and made something fresh from it; then again, maybe it’s about fish and chips. Anyway, I heard that song not long ago, and it made me think about Maritime. Dan Didier, who plays the drums, said something to me—and he said it sincerely, not giving me some marketing spiel—about how Heresy and the Hotel Choir, his band’s third album, really feels like their first. Why is that, you ask? There’s a reason, and it doesn’t discount the contemplative, mellow chewiness of 2004’s Glass Floor or the comparatively brash rockingess of 2006’s We, The Vehicles. It’s just to say that those records (and subsequent tours) were inspired by the energy of flux, and this one is about solidity. Glass Floor took tentative steps away from Didier and singer-guitarist Davey von Bohlen’s old band, the damn-near-legendary Promise Ring (remember them?), adding former Dismemberment Plan bassist Eric Axelson to the mix. Slow chaos followed: Somewhere in there, Axelson left; other people came and went, all amicably.